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Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts

Romance, the closet, China! Raymond Yeung's happy/sad gay love story FRONT COVER opens


What happens when an ace stylist (gay, of course:"All the good ones are," he explains early on) for a major fashion magazine in New York City gets the job of styling a shoot involving a red-hot and very popular Chinese actor who's just a little bit uncomfortable around homosexuals? Given that the movie under consideration is a gay film, you can probably choose among several typical scenarios and come pretty close to correct.

What makes FRONT COVER charming and entertaining, however, is its combination of decent dialog, good performances, deft direction and an insistence, where the home stretch is concerned, on believability over feel-good.

The writer/director here is one, Raymond Yeung, aka Ray Yeung (shown at left), a Hong Kong-based filmmaker with a few earlier films to his credit. His latest explores Asian identity and sexual identity, both East and West versions -- in China (via that popular leading-man actor) and here in the USA (from the POV of our fashion stylist). Neither one, it turns out, is all that comfortable behind the mask that he has created for himself. All of which proves nothing much new, but the way Mr. Yeung handles his tale is appropriate, often fun, and finally surprisingly moving.

In some ways the movie is quite a typical gay film. Our hero, Ryan (Jake Choi, on poster, top) is surrounded by stereotypical characters, from his diva boss at the fashion mag (Sonia Villani, above) to his BFF (played by Jennifer Neala Page, below). Both actresses do what they can with limited and rather obvious material, but fortunately the movie concentrates most of its mind and heart on its two leading men.

These are played by Mr. Choi, as the Asian-American stylist who only has sex with white guys, and James Chen (below) as Ning, the hot young Chinese actor, who is himself constricted by his "image" and constantly surrounded by female hangers-on.

After a rocky start, the two men begin to warm up to each other and an interesting bond is formed. Yeung's style -- via both dialog and visuals -- is mostly graceful and loose, which makes it easy for us to willingly tag along. And the performances of Chen and Choi are lovely, too: funny and smart, with both men uptight in different ways for different reasons.

Ryan's parents (Ming Lee and Elizabeth Sung, above) get into the picture, and while their behavior may seem typical to Asians, for us Americans, they appear just different enough to raise the interest level a notch or two. And if the ensuing relationship between the young men seems initially a little too easy, wait a bit.

Plenty of drama and good/bad possibilities are provided when a photo, above, is surreptitiously taken and released to the media. The outcome may divide audiences between those who demand their feel-good fix and those who prefer some reality with their romance. For me, the finale proved not merely bittersweet but downright sad, lifting the movie out of typical gay rom-com fluff and into something richer and deeper -- out of which a dose of genuine character might even be built.

Front Cover -- from Strand Releasing and running 87 minutes -- is worth a watch. After screening at various GLBT festivals, it opens theatrically this Friday, August 5, in New York City at City Cinema's Village East Cinema, and the following Friday, August 12, in Los Angeles at the the Sundance Sunset Cinema. To see other currently scheduled playdates, with cities and theaters listed, click here and then click on Screenings on the task bar midway down the page.
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The Ab-Fabbers are back, this time in ABSOLUTELY FABULOUS: THE MOVIE


The popular British TV series Absolutely Fabulous, which had a twenty-year run (not bad!) during the era in which our last century slithered into this one, was a lot of fun and rather set the current stage for gals behaving badly. The product of writer and star Jennifer Saunders, with the help of costar Joanna Lumley, it deservedly captured the fancy of folk on both sides of the pond. Now, four years after the demise of that series (in Britain, at least; it may have ended earlier here in the USA), the movie version, long talked about and/or in gestation, arrives.

And? TrustMovies found it pretty good and often very funny, if a little too gassy and taking too much time to get airborne. I resisted for awhile, thinking, "What? All this again?" But then at some point I let out a loud laugh, began chucking at the antics of these two women -- Edina (Ms Saunders) and Patsy (Ms Lumley) -- and by movie's end was thoroughly satisfied that my humor quotient had been met for the day. The director here is a woman named Mandie Fletcher (shown at left) who helmed several of the TV episodes and so was evidently tapped by Ms Saunders and maybe the producers to direct the film -- which she has managed to do quite serviceably.

The setting this time out is the current world of fashion, which is shown us as mostly a hotbed of silliness and stupidity. Edina (below, left), who hopes to land a book deal for her memoirs (what she submits to the publisher is pretty funny) but is rejected, then moves her goal to doing PR for the fashion set.

Ms Lumley (above, right) plays her usual hanger-on, providing drugs alcohol and other fun stuff. But the ladies are down to their last pound -- even if they are living in a modern mansion well beyond their means.

Series regulars like Julia Sawalha (as Edina's straight-laced daughter) show up, along with "secretary" Bubbles (Jane Horrocks, above, left) and Edina's mother (June Whitfield, above, right) -- with the latter two barely used except as a kind of reminder of the fun we once had.

So the movie belongs, and rightly so, to Saunders and Lumley, the latter of whom seems to hang back and be used for the usual only -- until a little over halfway along, when she comes into her own with a delightfully goofy impersonation that will keep a grin plastered on your face for the remainder of the movie.

The film owes its ending to the great Some Like It Hot but the homage/steal is good enough to please fans of both films. We get currently posh-if-squalid London and the French Riviera as locations, plus Ms Sawalha doing Karaoke in a gay club (above), and a bunch of cameos from folk we love (or maybe used to) such as Joan Collins and Barry Humphries (above) -- plus a few new surprise personalities, as well.

As it is set in the fashion world, we get our fill of "fashion" faces, too. Kate Moss (above) is used for beauty and fun, good-naturedly putting herself through the wringer for our gals. And none other than Jean-Paul Gautier (below) makes an ironic appearance as a old beachcomber-type fellow searching for coins and other precious metals in the beachside sand.

A word must also be said for one of the most beautiful new faces to light up the screen in some time -- that of Indeyarna Donaldson-Holness (shown below, left), the lovely young girl with a mouthful of a name, making her screen debut as the Saunders character's granddaughter, Lola.

So, yes, you can expect to have a good time at this current rendition of Ab/Fab. It's not great art but it is (mostly, at least) good, silly fun.

From Fox Searchlight and running a thankfully lean and let's-not-outstay-our-welcome 90 minutes, the movie opens nationwide this Friday, July 22. Click here (then scroll waaaaay down to the bottom to find the theaters nearest you.
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