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Showing posts with label the female perspective. Show all posts
Showing posts with label the female perspective. Show all posts

Maïwenn's MY KING explores amour fou from a female viewpoint -- less crazy, more loving


The movies of French film-maker Maïwenn keep getting better and stronger. From Pardonnez-moi through All About Actresses to Polisse and now MY KING (Mon roi), she seems to have become more disciplined as she has grown more mature. Her films have always been fun -- their overwrought moments often their most enjoyable -- but in her latest she tackles the subject of amour fou with a directness and clarity that is at once sad and bracing.

The filmmaker, shown at left, has cast her two leads actors about as well as you could want. Her leading lady, Emmanuelle Bercot, who won a deserved Best Actress award at this past year's Cannes fest, is herself a fine film director (Standing Tall, On My Way, Student ServicesBackstage), while her leading man, Vincent Cassel (below), always sexy and charismatic, simply tops himself here. He's phenomenal: glowing, growing, then exploding with energy and charm beyond measure. Our king, indeed. (He actually played one in another of his recent films, Tales of Tales.)

Maïwenn's film begins with a mother named Tony (short for Marie-Antoinette: royalty is all over the place here) about to ski downhill. The next scene takes us to the office of physical therapist who offers up some holistic-sounding psycho-babble that might send some of us out the door. But mom has had a bad injury, the healing of which will take us right through to the end of the film, as she (and we) think back to earlier days and how she met and stuck with and by the guy who will become the love of her life.

The filmmaker does her back-and-forth between the past and present quite gracefully, so that we're never jarred and easily know where we are. We meet the group of injured young people with whom Tony will rehab, and we also meet the most important people in her circle as she negotiates the trying and tricky years with Georgio (Cassel).

These include her brother, who, regarding the great love of his sister's life, seems the most rational in the bunch -- and as he is played by the usually quite irrational, Louis Garrel (above), you've got to credit Maïwenn's ability to bring out surprising new layers in her actors.

What makes My King succeed especially well is that the entire viewpoint and attitude are coming to us via the character of Tony -- who is, given all that she's going through, pretty rational herself. (She is certainly more so than Georgio.) We understand her and root for her, even when her decisions are the wrong ones.

For his part Cassel simply makes his character everything Tony wants -- and more (and finally less), with such sex appeal, charm and often great good humor that there is no question why these two keep trying to make it work. Even when Georgio cannot let go of an old model-gorgeous but unhealthily-clinging girlfriend (Chrystèle Saint Louis Augustin, below, right) who seems constantly in need of his help, Tony tries to look the other way.

How things resolve themselves -- and they do -- proves bittersweet and quite real, leaving us feeling the same caring for both these characters as we've felt all along, watching them change and grow, try and fail, and now maybe even succeed. But in a different configuration.

Thanks to the director, the writers (Maïwenn and Etienne Comar) and the performers, the movie works on all kinds of levels. It will stand the test of time, I suspect, as a simultaneous love story and cautionary tale, a character study, and a look at the way the French well-to-do lived and behaved at a certain point in human history. (Were the film to have dealt with the working class or the poor, I doubt it would have been made.)

From Film Movement and running a long but never boring 124 minutes, My King opens this Friday, August 12, in New York City at the Lincoln Plaza Cinema and in Los Angeles on Friday, August 26, at Laemmle's Royal. Here in South Florida it opens in Miami at the Tower Theater, also on August 26, and in Boca Raton at the Living Room Theaters on Friday, September 9. Elsewhere? Absolutely. Click here and scroll down to see currently scheduled playdates, arranged alphabetically by state.
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MAGGIE'S PLAN: Greta Gerwig scores again in Rebecca Miller's droll rom-com about control


How good, how special is Greta Gerwig? Good enough, it would seem, to be able to do no wrong on screen. Even in underwhelming movies, she shines, and though she usually looks pretty much the same, that face and body hide quite a versatile-in-her-own-way actress.

In Rebecca Miller's newest film about the female (Miller also made the excellent Robin Wright movie The Private Lives of Pippa Lee), Gerwig gets another loaded role that she brings to life with compelling intelligence and ease.

Gerwig's secret, TrustMovies suspects, is that the actress always makes it appear that she has just sort of stumbled into a movie about her very own life. (Yes, she's that real.) In MAGGIE'S PLAN, she plays a young-but-getting-worrisomely-older woman who, given her record of bad romances up till now, decides to inseminate herself with the right male's semen, have her baby, and raise it on her own. Yes: Good luck with that.

Filmmaker Miller, shown at right, has made a very interesting movie that is mainly about control. Obviously, Maggie, via her plan, is intent on controlling her own life, But to do this, she must control to a large extent the lives of the folk around her. Of course, as is usual in life, those adjacent people want to control their own lives, and in fact, they have major control problems, too. Especially adjacent to our Maggie are three other characters: a former schoolmate named Guy (Travis Fimmel), whose sperm she decides on using; a fellow named John (Ethan Hawke), whom she subsequently falls in love with; and Georgette (Julianne Moore, below, sporting a delicious pseudo-Danish accent), John's soon-to-be ex.

All of these characters have their own desires and plans, but our Maggie, in her sweet but determined manner, rides around, above, below and through them. And yet -- especially regarding John (Mr. Hawke is shown below, left) and Georgette -- the way the other characters use their control (or seeming lack of same) proves even more interesting, curling the plot into new twists that tend to resist even the best-laid plans.

The film has been called a modern screwball comedy, but it seem to me something more, less and certainly different from that. Miller, as usual, has her own sense of characters, timing, humor, and all the rest, and as director and adaptor (of a story by Karen Rinaldi) she has grafted her signature sensibility onto this tale. These people are every bit as unsure, if not downright unstable, as any we're likely to meet in modern day movies. They haven't figured out how and when to properly strengthen and/or hold back on that control.

Consequently, some very oddball and pretty funny scenes and moments occur, sometimes involving Maggie's married friends (played by Maya Rudolph and Bill Hader, above) but these may prove too oddball for general audiences, who prefer their rom-coms straight up and with proper closure. By the end of Maggie's Plan, we get but a hint of what might be in the cards (and has actually been there all along).

I found the film a pleasure to watch and listen to, start to finish, and then afterward, to think about a bit. And, yes, it's more for arthouse audiences than mainstream moviegoers. From Sony Pictures Classics, the movie -- running 98 minutes and already playing in theaters across the country -- opens here in South Florida this Friday, June 10, at AMC AVENTURA 24 AVENTURA,   LIVING ROOM THEATERS BOCA RATON,   PALACE 20 BOCA RATON,   SHADOWOOD SQUARE 16 BOCA RATON,   BOYNTON BEACH 14 BOYNTON BEACH,   PARADISE 24 DAVIE,   MOVIES OF DEL RAY DELRAY BEACH,   GATEWAY 4 FT LAUDERDALE,   MOVIES OF LAKE WORTH LAKE WORTH, SOUTH BEACH 18 MIAMI BEACH,  AMC SUNSET PLACE 24 SOUTH MIAMI,   LAST PICTURE SHOW TAMARAC.   Elsewhere? Sure: Just click here, and scroll down to view all the cities and theaters.
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